The Story
'I genuinely could not put this down' Stacey Halls
'A tour de force of a gothic thriller. I devoured it' Gillian McAllister
'Taut, propulsive, beautifully done' Susan Stokes Chapman
From Elizabeth Macneal, the Sunday Times bestselling author of The Doll Factory, The Burial Plot is a spellbinding Gothic thriller about murder, manipulation, and a young woman trying to wrestle power from the hands of a dangerous man. But he’s always one step ahead . . .
London, 1839. With the cemeteries full and money to be made in death, tricksters Crawford and Bonnie survive on wicked schemes and ill-gotten coin. But one blistering evening, their fortunes flip. A man lies in a pool of blood at Bonnie’s feet and now she needs to disappear.
Crawford secures her a position as lady’s maid in a grand house on the Thames. As Bonnie comes to understand the family – the eccentric Mr Moncrieff, obsessively drawing mausoleums for his dead wife, and their peculiar daughter Cissie, scribbling imaginary love letters to herself – she begins to question what secrets are lying behind the house’s paper-thin walls and whether her own presence here was planned from the beginning.
Because Crawford is watching, and perhaps he is plotting his greatest trick yet . . .
Description
'I genuinely could not put this down' Stacey Halls
'A tour de force of a gothic thriller. I devoured it' Gillian McAllister
'Taut, propulsive, beautifully done' Susan Stokes Chapman
From Elizabeth Macneal, the Sunday Times bestselling author of The Doll Factory, The Burial Plot is a spellbinding Gothic thriller about murder, manipulation, and a young woman trying to wrestle power from the hands of a dangerous man. But he’s always one step ahead . . .
London, 1839. With the cemeteries full and money to be made in death, tricksters Crawford and Bonnie survive on wicked schemes and ill-gotten coin. But one blistering evening, their fortunes flip. A man lies in a pool of blood at Bonnie’s feet and now she needs to disappear.
Crawford secures her a position as lady’s maid in a grand house on the Thames. As Bonnie comes to understand the family – the eccentric Mr Moncrieff, obsessively drawing mausoleums for his dead wife, and their peculiar daughter Cissie, scribbling imaginary love letters to herself – she begins to question what secrets are lying behind the house’s paper-thin walls and whether her own presence here was planned from the beginning.
Because Crawford is watching, and perhaps he is plotting his greatest trick yet . . .
